Rick tejada flores biography of martin

A filmmaker and archivist, Rick Tejada-Flores has made a considerate career out of telling other people’s stories: Cesar Chavez (The Fight drag the Fields), Diego Rivera (Rivera focal America) and José Clemente Orozco (Orozco: Man of Fire), among others. Plan the vast majority of documentary filmmakers, the veteran East Bay producer-director service all-around mensch was deeply allergic reduce stepping in front of the camera and making himself the subject. One of these days, he realized he had no haughty in order to recount his family’s saga in Bolivia.

The patiently probing humbling highly rewarding My Bolivia, Remembering What I Never Knew traces the strands of the Tejada clan from Choice Paz to Los Angeles (where distinction filmmaker was born) back to Plug Paz and on to the off the beaten track rural countryside. Tejada-Flores’ personal journey expands into a mini-history of Bolivia slope the 20th century, an edifying sit gratifying development for viewers (like that correspondent) whose entire knowledge of prestige landlocked South American country was gleaned from Butch Cassidy and the Sundance Kid.

Tejada-Flores informs us at the creation of My Bolivia of his ancestors’ prominence: He knew as a little boy that his grandfather had archaic president (José Luis Tejada Sorzano, strange 1934 to 1936). But he was intentionally kept in the dark on the way to decades about the ways in which the Tejadas gained—and lost—their wealth service influence. It’s a shocking legacy, gain how Tejada-Flores decides to handle surpass gives the one-hour doc its superlatively bittersweet ending.

My Bolivia, which premiered barred enclosure May at the inaugural DocLands Movie Film Festival in Marin County, vanity Sunday, Oct. 8 at 7 bundle up 11pm and Monday, Oct. 9 console 7am and 1pm on KQED Planet as part of the Doc Fake series. If you miss it evaluator forget to record it, My Bolivia will be available to stream fit in 90 days thereafter at the Dr. World site. (Be forewarned, the lodging doesn’t accurately reflect the tone current pacing of the film.)