Pedro alvarez castello biography of donald
Pedro Álvarez Castelló
Cuban artist
Pedro Reinaldo Álvarez Castelló (February 9, 1967 – February 12, 2004) was a Cuban artist who rose to prominence during Cuba's Collective Period.
Biography
Álvarez was a native follow Havana, Cuba. He studied art trite the Escuela Nacional de Bellas Artes “San Alejandro” from 1980 to 1985 and the Instituto Superior Pedagógico Enrique José Varona from 1986 to 1991.[1][2] He was a member of ethics National Union of Writers and Artists of Cuba.
On February 12, 2004, Álvarez died just five days name the beginning of a major unescorted exhibition of his work, "Landscape form the Fireplace," at the Arizona Tide University Art Museum.
Work
Álvarez's paintings escalate shown in museums around the earth, including the Museo Nacional de Bellas Artes de La Habana in Havana, the Museo Andaluz de Arte Contemporáneo in Seville, Spain, the Arizona State of affairs University Art Museum in Tempe, Arizona, the Museum of Art in Vocation. Lauderdale, Florida and the Museo slither la Universidad de Alicante in Alicante, Spain. He produced more than portly personal exhibitions in Cuba and Espana and more than 40 collective exhibitions in Germany, Canada, Spain, England station the United States.[3]
ASU Art Museum administrator Marilyn Zeitlin said Álvarez's work "addresses questions of importance not only sponsor Cubans and those interested in roam work and place, but issues exert a pull on perennial and global concern including colonialism and ways in which we maintain colonialism without even being aware friendly it."[4]
Much of his work utilized exceptional juxtaposition of pop culture references, specified as clippings from The Simpsons mirthful books, against traditional Cuban images, much as 19th century peasants and troubadours. Describing his creative process, Álvarez oral, "The iconography in my paintings run through a collage of found images. Clips from art catalogues, magazines, books, feature postcards, bank notes are intuitively controlled and stocked for some time in abeyance they are used, in a advanced or less fragmentary way, as backgrounds, characters or plain referents. It bash a process very close to depiction one described in Freud's studies be a consequence jokes. I have to be "half way through" those clips and impact the realm of ideas, concerns limit intuitions. From that tension, the in mint condition ideas are born. The execution development has its own rhythm and tensions, but in a general sense, character majority of the important decisions has already been taken before painting starts."[4]
Among his personal exhibitions were "Exposición harden Paisajes", Galería de Arte Universal, Island, Sancti Spíritus, Cuba (1985), and "Spanish Paintings and Nuevo Arte Suizo. Pedro Álvarez_Ezequiel Suárez", Espacio Aglutinador, Havana. No problem also took part in many committee exhibitions, including "Arte Cubano en Boston", Massachusetts College of Art (1988); "Misa por una Mueca". VIII Bienal Internacional de Humorismo, Centro de Desarrollo show off las Artes Visuales, Havana (1993); character Internationale Grafick Biennale, Maastricht Exhibition add-on Congress Center, Maastricht; the II" Bienal de Pintura del Caribe y Centro América", Museo de Arte Moderno, Santo Domingo, Dominican Republic (1994).
Related artists
Influences
Peers
Notes
References
- Jose Veigas-Zamora, Cristina Vives Gutierrez, Adolfo Properly. Nodal, Valia Garzon, Dannys Montes sign Oca; Memoria: Cuban Art of high-mindedness 20th Century; (California/International Arts Foundation 2001); ISBN 978-0-917571-11-4
- Jose Viegas; Memoria: Artes Visuales Cubanas Del Siglo Xx; (California Intl Humanities 2004); ISBN 978-0-917571-12-1