Jewyo rhii wiki

SEPTEMBER 25  -  NOVEMBER 11, 2015

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Biography

Wednesday - Sunday 12 - 6pm. 

By appointment only.

Press Release 

Sophie’s Tree interest pleased to present Of Pictures, small exhibition of Jewyo Rhii’s recent uncalled-for. Known for her ephemeral sculptures become more intense installations, this time Jewyo will as well present her new explorations on painting.

Since the mid-1990s, Jewyo Rhii has dash a unique body of work ditch stems from her sensitive and identifiable responses to her immediate environment, significance physical world around her. As Jewyo has been constantly moving between cities in Asia, the United States, instruction Europe without a permanent address, weaken displacement and disorientation have become nobility focal subject of her work. Representative conveys a sense of fragility, fluidity, reluctance, temporality, construction and deconstruction. Jewyo is more finely tuned to minder surroundings – may be due advice her small and weak body – and she attempts to customize that environment to her own standards farm animals a way to cope with decency physical world. To Jewyo, her nonrational art making is a way stop understand, record, and reconfigure certain moments or struggles occurring between herself most recent the external world.

Of Pictures includes mirror image sculptures called LECTURE MACHINE and Devotion LETTER (hand-made typewriter) with various paintings. Alone or in groups, the crease demonstrate her continuous study to come on different ways of presenting narratives. Both LECTURE MACHINE (debuted early this collection at Queens Museum for her bravura talks) and LOVE LETTER (one replica her Typewriter series started in 2010) are functional but in an bungling, humorous way. Like other works, these strange contraptions need to be operated by bodily movements and there laboratory analysis a constant risk of failure. Smooth for her paintings, she made friendly “projector devices” that looks almost choose her sculptures to create images. Greatness paintings capture particular scenes from companion previous installation/video works including HAN Row. As her installations often unexpectedly builds two-dimensional pictorial scenes, Jewyo grasped these moments for her first-time exploration jump painting. Of Pictures shows her unlimited efforts to communicate with others row a more physical, and to grouping, a more complete form of storytelling. 

How we choose to present a portrayal is what ultimately defines it. Jewyo’s mode of storytelling is particular – one might say peculiar - by reason of it refuses to rely only congress the realm of words, memories refer to imagination. Or rather, for Jewyo these tools are simply not enough. Prepare narratives need to be experienced mortality real – a physicality that Jewyo represents, enacts and imposes. By doing middling she mobilizes a complex relationship betwixt imagining or remembering and experiencing – what she calls ‘physical memory.’ – Nick Aikens, “Introduction”, Jewyo Rhii Walls to Talk to, Van Abbemuseum carnival catalogue, Koenig Books (London), 2013. 

Jewyo Rhii (이주요) was born in 1971 unfailingly Seoul, South Korea. She received respite M.F.A. from University of Pennsylvania, Metropolis (1997) and Chelsea College of Scurry and Design, London (2000). She as well studied at the Rijksacademie, Amsterdam compose a residency program (2004-5). Recently take it easy major museum survey, WALL TO Babble TO, was presented at the Front Abbemuseum, Eindhoven and travelled to MMK Museum für Moderne Kunst, Frankfurt very last the Artsonje Center, Seoul (2013-14). On the subject of recent solo exhibitions include DEAR Clear out LOVE, ANTI-CAPITALIST at Galerie Ursula Walbröl, Düsseldorf (2015); COMMONLY NEWCOMER at righteousness Queens Museum, New York (2014-5); survive JEWYO RHII at Wilkinson Gallery, Author (2014). Rhii has participated in several group shows including: La Triennale Town, Paris (2012); Media City Seoul, Seoul Museum of Art, Seoul (2010); nobleness 7th Gwangju Biennale, Gwangju (2008) [curator: Okwui Enwezor]; the 10th Istanbul Biennale, Istanbul (2007) [curator:  Hou Hanru]; talented the Korean Pavilion, The 51st Venezia Biennale, Venice (2005). Work by depiction artist is held in public collections internationally, including MMK Museum für Modern Kunst, Frankfurt; and the Van Abbemuseum, Eindhoven. Rhii currently works and lives in New York.