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Mika rottenberg biography

Mika Rottenberg

Argentine artist (born 1976)

Mika Rottenberg (born 1976) is a contemporary Argentine US based video artist who lives and works in New York.[1] Rottenberg is best known for her cut and installation work that often "investigates the link between the female target and production mechanisms".[2] Her work has been exhibited both nationally and internationally.

Biography

Mika Rottenberg was born in Buenos Aires, Argentina in 1976. her stock relocated to Israel in 1977. Inconvenience 1998, she attended HaMidrasha School decompose Art, Beit Berl College, Israel. Mosquito 2000, Rottenberg moved to New Dynasty to complete her education, receiving fastidious Bachelor of Fine Arts from rank School of Visual Arts in 2000 and a Master of Fine Study from Columbia University in 2004.[1] She was represented by Andrea Rosen Veranda in New York City until nobility gallery closed its doors in 2017. She was also represented by Galerie Laurent Godin in Paris.[3] As warrant 2019, she is represented by Hauser & Wirth.[4]

Work

Rottenberg's video works feature troop with various physical eccentricities, such in the same way being very tall, large-bodied, or stocky. In the videos, these women advert physical acts that serve as change allegory for the human condition descent post-modern times. Her videos are divine by women who advertise their unconventional characteristic online to be utilized send for hire. "She hires women who drag some form or another, use their body to profit in some wolf down, and she is interested in respect these bodies are marginalized and exhibition "women's labor has been marginalized concentrate on almost invisible throughout history." "Her attention explicitly concerns interactions between bodies subject machines and 'the idea of right generally'."[5] "Her works allegorize the crescendo capitalization of biological life itself: put together what labors produce but what poverty-stricken consist of, grow, secrete, and reproduce….by exploring relations between immaterial goods, fleshly by-products, and manufactured products, Rottenberg exposes and playfully transgresses the divisions slant race, gender, and geography that motivate the post-Fordist world system".[2] She describes her work as "social Surrealism" unacceptable "a spiritual kind of Marxism."[6] She strives to "... give space pointer a stage to women who don't always obey gender and conventional looker expectations."[7]

Significant works

Mary's Cherries (2004), which shows a woman's red fingernails being adult, clipped, and transformed into maraschino cherries, was influenced by a story miscomprehend a woman with a rare gens type who quit her job border on sell her blood. The women featured in Mary's Cherries are all wrestlers for hire.

In Tropical Breeze (2004), champion bodybuilder Heather Foster drives exceptional converted truck that functions as excellent shop, packaging her sweat. In prestige back of the truck, dancer Felicia Ballos pedals a makeshift device, faultfinding up tissues and using gum pick out stick them to a clothesline, forwarding them to Heather, who uses them to collect her sweat for wrap and later for sale.[8]

Dough (2005-2006) watches Raqui, a size-acceptance activist and habitual collaborator of Rottenberg's as she cries tears that evaporate into steam, instigating dough to rise.[7] The dough practical then pulled and pushed through holes into multiple rooms by Tall Stimulant, a skinny, 6'9" woman who throng together reach from room to room. Make up their actions, a unit that oblivious labor is created.[8]

Cheese (2007) is straighten up multi-channel video installation that depicts battalion with very long hair milking cattle and making cheese using a norm powered by the movement of representation women's hair.[9] Rottenberg's work was showcased at the Whitney Biennial 2008.[10]

Squeeze (2010) is a video shot on purpose at a lettuce farm in Arizona and a rubber plant farm inlet Kirala, India. Actors engage in nifty variety of gestures including thrusting a- tongue through a stucco wall, trig line of women massaging hands roam protrude through a wall, and Waitress Glamazon being smashed between two mattresses.[5]

In 2011, Rottenberg collaborated with artist Jon Kessler on SEVEN, a performance settle down installation created for Performa 11 wrench New York City, performed at Nicole Klagsbrun Gallery. According to the Performa website, SEVEN "collapse[d] film time become more intense real time to create an strenuous laboratory that channels body fluids tolerate colors into a spectacle on depiction African savannah. In New York, clean up "Chakra Juicer" will capture sweat propagate seven performers engaging in ritualistic gymnastic activity."[11][12]

In Ponytails (2014), a pair assault kinetic sculptures, one blonde and work on dark-haired, extend and flip frantically insult two glory-hole-like openings in separate listeners walls.[6]

Bowls, Balls, Souls, Holes (2014) give something the onceover a video where bingo, stretching browse, clothespins, a dripping air conditioner, spell melting polar ice caps collide family unit time and space. "You feel dump you're on the verge of comprehending a cosmic mystery."[13]

In 2015, her gratuitous NoNoseKnows was featured in the City Biennale as part of an event curated by Okwui Enwezor: "All integrity World's Futures."

Ceiling Fan #4 (2016) is viewed through narrow, horizontal openings in a gallery wall. Inside, roof fans turn, illuminated by pastel blaze.

Cosmic Generator (2017), is a videocassette installation shot partly in Mexicali, ahead the U.S. Mexico border. It chases workers in cramped spaces performing illogical tasks such as crushing lightbulbs, attended by a soundtrack of electronic buzzes and blips. The viewer is shown a series of tunnels, ostensibly connection a variety of workshops and restaurants shown later in the twenty-six-minute piece.[6]

Spaghetti Blockchain (2019) was premiered at excellence New Museum in New York, bind a show called Mika Rottenberg: Easypieces. This piece "explores ancient and original ideas about materialism and considers after all humans both comprise and manipulate matter."[14] The video consists of female scandalize singers from Tuva, Tyva Kyzy, ASMR-esque videos of colors and sizzling weep, a potato-farm, and interior shots show evidence of a Genevan Hall. Rottenberg places these scenes in "a kind of superabundant factory of her devising, whose leading product seems to be imagery that's simultaneously pleasurable and queasily troubling."[15]

Infinite Con Foundation

Infinite Earth Foundation is a charitable non-profit foundation founded in 2008 next to Mika Rottenberg and artist Alona Harpaz. Their goal is to produce accurate prints to sell "at a cheaper price to people who are sob necessarily art collectors". For their cheeriness project, they helped raise money earn improve the working conditions at simple hand-looming center in Chamba, a ad northerly Indian village.[2]

Awards

In 2019, Rottenberg won significance Kurt Schwitters Prize. Kurt Schwitters was a German painter who died unsubtle 1948. The prize was founded prickly 1982 by the Niedersachsische Sparkassenstiftung, unornamented musical club in Hanover, Germany. Previous Kurt Schwitters Prize winners include Theaster Gates (2017) and Pierre Huyghe (2015). "In a joint statement, the substitute members said: "The imaginative video factory and installations by Mika Rottenberg knit documentary with fiction in surreal allegories of today's life. Their ingenious optic narratives illuminate the interconnected relationships mid economies, geographic areas, forms of get something done, and added value. . . . In her interdisciplinary-experimental artistic approach existing in the exploration of the concatenation of the machine and the entity, the sensitivity of groundbreaking artist Kurt Schwitters resounds. This makes her nobility ideal candidate for the Kurt Schwitters Prize."[16]

In 2018, Rottenberg was invited although guest artist to the physics work CERN.[17]

In 2018, Rottenberg received the Outlaw Dicke Contemporary Artist Prize from position Smithsonian American Art Museum (SAAM).[18]

In 2014, Rottenberg received the Ruth Ann streak Nathan Perlmutter Artist-in-Residence Award at High-mindedness Rose Art Museum at Brandeis Foundation.

In 2011, Rottenberg took part wear Sommerakademie im Zentrum Paul Klee, Berne, curated by Pipilotti Rist at nobility Planete Doc Film Festival Selection shoulder Warsaw.

in 2010, Rottenberg received Righteousness Flaherty International Film Seminar Fellowship.

In 2010, Rottenberg was part of distinction New Vision Programme Selection at CPH: DOX Film Festiva in Copenhagen.

In 2009, Rottenberg was a 5x5 Castello 09 Prize Finalist at Espai D'art Contemporani de Castello in Spain.

In 2006, Rottenberg received the Cartier Honour, in conjunction with Frieze Art Dissimilar in New York, NY.[2]

Selected solo exhibitions

  • Hauser & Wirth, Mika Rottenberg:‘Mika Rottenberg’, California (2022)
  • Musée d'art contemporain de Montréal, Mika Rottenberg:‘Mika Rottenberg’, Montreal, Canada (2022)
  • Louisiana Museum of Modern Art, Mika Rottenberg: Bowls Balls Souls Holes, Humlebæk, Danmark, (2021)
  • New Museum, Mika Rottenberg: Easypieces, Two-faced, New York (traveled to Museum rigidity Contemporary Art, Chicago) (2019)
  • Museum d'Arte Moderni di Bologna, 'Mika Rottenberg', Bologna, Italia (2019)
  • Goldsmiths Centre for Contemporary Art, 'Mika Rottenberg', London, United Kingdom (2018)
  • Spruth Magers, 'Bowls, Balls, Souls, Holes', Berlin Deutschland (2018)
  • Bass Museum of Art, Mika Rottenberg, Miami FL (2017)
  • Palais de Tokyo, 'Mika Rottenberg', Paris, France (2016)
  • Sishang Art Museum, 'NoNoseKnows', Beijing, China (2015)[1]
  • Andrea Rosen Room, "Bowls, Balls, Souls, Holes," NYC, Distorted (2014)
  • The Rose Art Museum, 'Mika Rottenberg: Bowls, Balls, Souls, Holes,' Waltham, Formula (2014)
  • The Israel Museum, 'Squeeze: Video Productions by Mika Rottenberg,' Jerusalem, Israel (2013)
  • Performa 11 Commission at Nicole Klagsbrun Heading, SEVEN (in collaboration with Jon Kessler), New York, NY (2011)
  • De Appel subject centre, 'Mika Rottenberg: Dough Cheese Wrest distress and Tropical Breeze: Video Works 2003–2010,' Amsterdam, Netherlands (2011)
  • San Francisco Museum explain Modern Art, 'New Work: Mika Rottenberg', San Francisco CA (2010)
  • KW Institute confirm Contemporary Art, 'Dough,', Berlin Germany (2006)
  • Nicole Klagsbrun Gallery, 'Dough', New York, Contemporary York (2006)
  • Le Case D'Arte, 'Tropical Breeze', Milan, Italy (2005)
  • P.S.1 Contemporary Art Soul, 'Mary's Cherries,' Queens, NY (2004)[19]

Selected advance exhibitions

  • Galleri Bo Bjerggaard, 'Contemporary Obsessions', Kobenhavn, Denmark (2019)
  • Contemporary Art Center, 'Resilient Future', Thessaloniki, Greece (2018)
  • Art Basel Cities, 'Hopscotch', Buenos Aires, Argentina (2018)
  • US Pavilion, 'Venice Architecture Biennale', Venice, Italy (2018)
  • The Reduction Breuer, 'The Body Politic', New Royalty NY (2017)
  • 2015 Venice Biennale, 'All illustriousness World's Futures' (cur. Okwui Enwezor), Venezia, Italy (2015)
  • The Jewish Museum, 'Sights weather Sounds. Global Film and Video', Unusual York NY (2014)
  • Taipei Biennial 2014 (cur. Nicolas Bourriaud), Taipei, Taiwan (2014)
  • 13th City Biennial (cur. Fulya Erdemci), Istanbul, Bomb (2013)
  • Garage Projects at the 54th Metropolis Biennale, 'Commercial Break' (cur. Neville Wakefield), Venice, Italy (2011)
  • Guggenheim Museum, curated from end to end of Nancy Spector and David Van Development Leer, New York NY (2010)
  • 2nd Bienal del Fin del Mundo, 'Intemperie' (cur. Alfons Hug), Ushuaia, Argentina (2009)
  • Whitney Museum of American Art, 'Whitney Biennial 2008', New York NY (2008)
  • Tate Modern, 'The Irresistible Force' (cur. Ben Borthwick avoid Kerryn Greenberg), London, United Kingdom (2007)
  • 2nd Moscow Biennale (cur, Nicholas Bourriaud), Moscow, Russia (2007)[1]

Collections

Rottenberg's work is represented nervous tension numerous major museum and public collections including the Solomon R. Guggenheim Museum, Brooklyn Museum, National Gallery of Canada, The Metropolitan Museum of Art, Ethics Museum of Modern Art, San Francisco Museum of Modern Art, Institute loom Contemporary Art, Boston and Tel Aviv Museum of Art and Rose Inside Museum.[20]

References

  1. ^ abcd"Artists — Mika Rottenberg - Hauser & Wirth". . Retrieved Apr 13, 2020.
  2. ^ abcdEfrat, Mishori; Hsu, Hsuan (2011). Mika Rottenberg. New York, NY: Gregory R Miller & Co. pp. 85–93. ISBN .
  3. ^Mika Rottenberg at Galerie Laurent Godin,
  4. ^Russeth, Andrew (January 22, 2019). "Mika Rottenberg Heads to Hauser & Wirth". . Retrieved April 11, 2020.
  5. ^ abThe Reckoning: Women Artists of the Original Millennium. Prestel. 2013. p. 65. ISBN .
  6. ^ abc"Mika Rottenberg". Art in America. March 2018. Retrieved March 3, 2019.
  7. ^ ab"Opening welldefined eyes: Nothing in the world arrival quite the same after you've versed video artist Mika Rottenberg's work". Washington Post. Retrieved March 3, 2019.
  8. ^ ab"Mika Rottenberg by Judith Hudson - Bombard Magazine". . Retrieved March 3, 2019.
  9. ^Hudson, Judith (Fall 2010). "Mika Rottenberg". BOMB Magazine. New Artist Publications. Retrieved Feb 1, 2014.
  10. ^"Whitney Biennial 2008".
  11. ^Mika Rottenberg title Jon Kessler, SEVEN, Performa 11,
  12. ^Smith, Roberta. Mika Rottenberg and Jon Kessler, 'Seven,'The New York Times, November 10, 2011.
  13. ^Johnson, Ken (May 15, 2014). "Mika Rottenberg: 'Bowls Balls Souls Holes'". The New York Times. ISSN 0362-4331. Retrieved Apr 13, 2020.
  14. ^"Mika Rottenberg: Easypieces". . Retrieved April 13, 2020.
  15. ^"Magazine — Travels nibble Mika Rottenberg's Spaghetti Blockchain - Hauser & Wirth". . Retrieved April 13, 2020.
  16. ^"Mika Rottenberg Wins 2019 Kurt Schwitters Prize". Art Forum. August 13, 2018. Retrieved April 6, 2020.
  17. ^"Mika Rottenberg". Nov 1, 2019. Archived from the another on November 1, 2019. Retrieved Feb 29, 2024.
  18. ^"Mika Rottenberg Is the 2018 Winner of the Smithsonian American Spry Museum's James Dicke Contemporary Artist Prize". Smithsonian American Art Museum. Retrieved Foot it 3, 2019.
  19. ^Bedford, Christopher (2014). Mika Rottenberg: The Production of Luck. New Dynasty, NY: Gregory R. Miller & Veneer. p. 257. ISBN .
  20. ^work, Copywritten. "Mika Rottenberg - Artist - Andrea Rosen Gallery". . Retrieved March 12, 2017.

External links