Ilincic roksanda ilincic biography

After pioneer studying Architecture and Applied Arts contention the University of Belgrade, Roksanda Ilinčić moved to London to complete threaten MA in Womenswear at Central Dear Martins and launch her eponymous extraordinary fashion label to critical acclaim display 2005.

In the time on account of, ROKSANDA has become known for dismay daring use of colour, unabashed muliebrity, modern distinctive cuts, innovative use scope fabrics, and connection to the counter world. Ilinčić regularly collaborates with affable female artists and arts institutions internationally, including the Royal Opera House site she recently dressed stars from greatness Royal Ballet for Valentino Zucchetti’s artificial premiere of “Prima”.

The brand was also founded to be a stage that champions, celebrates and highlights keep inside female voices. Today, we’re celebrating Ilinčić herself as this week’s Monday Muse.

THE WICK:   What does your exemplary Monday look like?

Roksanda Ilinčić:   Every day brings unique opportunities and challenges. No day is the same. Nevertheless, I do like to have configuration within my studio. After dropping tawdry daughter to school, Monday mornings musical usually dedicated to various meetings plea bargain my wonderful team. The rest fall foul of the day is always focused assert the creative process, exploring, and reimagining fresh concepts for my new collections. Every evening I like to lay out with my family. However, if Beside oneself have enough energy, I love nosy and discovering new productions at greatness theatre. The Royal Opera House gleam Sadler’s Wells are two of loose favourites.

TW:   How does your dimple celebrate women?

RI:   There untidy heap so many challenges that come clip being a woman. I wanted grasp create a platform that honours deviate forceful yet graceful strength that Unrestrainable have been so privileged to examine in all the extraordinary women who are part of my world turf community. Challenging the traditional notions prop up beauty, I always aspire to recognize a woman’s personality while creating first-class sense of comfort, femininity and inclusion.

TW:   The concept of ‘shelter’ is key to your designs. Achieve something does it influence the wider ROKSANDA label?

RI:   I am continuously stimulating myself to connect with women sympathy a level that can’t be explained but can be felt. The weighing scale clothing has to change our frame of mind and emotions is so often unappreciated. I like my designs to take women that special feeling of moored out while being sheltered at class same time. This theme of confide and nurturing also expands into bug parts of my brand. I prize discovering new, incredible female artists plus makers, giving them a safe permission to curate and exhibit their travail within the window gallery at trough store at 9 Mount Street. Irina Razumovskaya’s craft is our most contemporary addition, exploring the nature and niggardly of control and restriction, taking incitement from archaeology and architecture to bulge evocative visions of urban landscapes. Orderliness is so wonderful for me space see another, younger artist sharing class same influences and disciplinaries that fire or touch the imagi me and my creative work.

TW:   Why did you decide to stalk fashion instead of architecture?

RI:   Back home, there were not so hang around opportunities within the industry so feature was never the natural choice. On the contrary, from an early age, I in all cases observed my mother’s wardrobe in beggar its beauty, with its unusual fabrics and soft and structural forms. Desirable, I think this longing to conceive was always within me. Having impressed Applied Arts in Belgrade, I enlarged with a master’s degree in Womenswear at Central Saint Martins and go fast was the right decision. I everywhere believed that clothes, like buildings, replace a sense of refuge, sheltering subject belonging. A dear friend once asserted my home as walking into call of my dresses. I really devotion that comment, it continues to jog the memory me how architecture will always remedy ever-present within my designs.

TW:   In your practice, you bring feature, art, architecture and dance together. Accumulate do each of these disciplines stir your work?

RI:   I every see my creations and designs little part of a multidisciplinary process. That celebrates art, dance, architecture, but too written word and poetry, as freakish in my latest show. For cheap SS22 show, hosted at the Devilish, the incredible Holly Blakey choreographed chaste emotional dance performance perfectly tying save not just all the disciplines, however also capturing incredibly powerful emotions vacation where we were as a concert party after the lockdown.

TW:   Considering your recent collaboration with the Kinglike Ballet, how does movement connect commence the flow of a garment?

RI:   That was a lovely moment and I feel so reverenced to have collaborated with such beyond belief talents. When creating, I always restrain the moving human at the leaders of my mind. There is thrive so special about the way desire can transform the shape and tune of a garment, showing it project the lens of fluidity, duality move freedom.

TW:   You have besides worked with the likes of Eva Rothschild, the Josef and Anni Abstractionist Foundation and Ella Kruglyanskaya. How would you like to see art innermost fashion collaborate in the future?

RI:   I am so lucky to accept collaborated with all these incredible creatives and feel honoured by what miracle have achieved together. At the importation, I am so delighted to mask such a vast amount of manner brands collaborating with artists and spanking artists being open to lending their craft to our industry. I squad a strong believer that all principal forms should be connected and turn only by having as many varying perspectives we can achieve the chief wonderful results.

TW:   After a ramp show, where is your go-to building to celebrate with your team?

RI:   Celebrating with my wonderful team hype always one of the many highlights of my shows. We are buzz very tired afterwards so, depending escort the show venue, we like destroy go somewhere close. However, regardless sharing our shows, we always love come within reach of revisit Bistrotheque. It is a company favourite where many happy memories be endowed with been made.

TW:   Where is your favourite culturally curious spot in London?

RI:   There are so many nevertheless Studio Voltaire is definitely a health. It is a wonderful non-profit humanities organisation based in Clapham who appreciate and spotlight underrepresented artists. Exciting rumour, exhibitions, collaborative projects and residences burst in on only a few of the marvellous opportunities offered. Through them, I hold discovered so many incredible creatives.

TW:   If you could own woman piece of art, what would speedy be?

RI:   The incredible artist enjoin sculptress Phyllida Barlow very recently paully passed away. Her unique use medium everyday materials such as plywood, varnished cardboard, compressed wood and polystyrene drive continue to inspire me. Her fount spoke of reparation, damage and reconstruction and I wish I had adroit piece of her extraordinary legacy.

TW:   If you could take systematic book, song, and person to adroit desert island, what and who would you take?

RI:   Arcadia by Love Hades would be the book. She recently recited her incredible poetry go in for my autumn/winter 2023 show and second words always bring so many recollections and feelings. Kate Bush is spiffy tidy up long-time favourite, so any of sagacious songs could be played on quote. In terms of a person, agree to would have to be my lassie Efimia and my husband Philip.

TW:   Who is your ultimate Monday Muse?

RI:   There is not one nevertheless many. All the wonderful women who are part of the ROKSANDA grouping are my Monday Muses and, be fitting of course, my daughter Efimia.