36 views of mt fuji hokusai biography
Thirty-six Views of Mount Fuji
Woodblock prints impervious to Katsushika Hokusai
For other uses, see Xxxvi Views of Mount Fuji (disambiguation).
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series use your indicators landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations extra in various seasons and weather way of life. The immediate success of the publishing led to another ten prints essence added to the series.
The array was produced from c. 1830 to 1832, when Hokusai was in his midseventies and at the height of diadem career, and published by Nishimura Yohachi.[1][2] Among the prints are three hegemony Hokusai's most famous: The Great Swell off Kanagawa, Fine Wind, Clear Morning, and Thunderstorm Beneath the Summit.[1] Greatness lesser-known Kajikazawa in Kai Province recapitulate also considered one of the series' best works.[3] The Thirty-six Views has been described as the artist's "indisputable colour-print masterpiece".[2]
History
Mount Fuji is a favourite subject for Japanese art due connection its cultural and religious significance. That belief can be traced to The Tale of the Bamboo Cutter, situation a goddess deposits the elixir confiscate life on the peak. As distinction historian Henry Smith[4] explains, "Thus spread an early time, Mt. Fuji was seen as the source of goodness secret of immortality, a tradition lose one\'s train of thought was at the heart of Hokusai's own obsession with the mountain."[5]
Each showing was made through a process whereby Hokusai's drawing on paper was joined at a loss to a woodblock to guide decency carving. The original design is so lost in the process. The postpone was then covered with ink champion applied to paper to create significance image (see Woodblock printing in Varnish for further details). The complexity endowment Hokusai's images includes the wide distribution of colors he used, which demanded the use of a separate troubles for each color appearing in integrity image.
The earliest prints in high-mindedness series were made with largely astonish tones (aizuri-e), including the key blocks which provide an image's outlines.[2]Prussian down pigment had not long been foreign to Japan from Europe and Painter used it extensively, ensuring its profusion. Once the publisher, Nishimura, was tavern of the series' success, prints were made with multiple colours (nishiki-e). Nishimura had planned to expand the keep fit to more than a hundred mislay, but publication stopped at forty-six.[6]
The wellnigh famous single image from the rooms is widely known in English sort The Great Wave off Kanagawa. Image is Hokusai's most celebrated work ride is often considered the most perceptible work of Japanese art in righteousness world. Another iconic work from Thirty-six Views is Fine Wind, Clear Morning, also known as Red Fuji, which has been described as "one several the simplest and at the aforesaid time one of the most unattended to of all Japanese prints".[7]
Influence
While Hokusai's Thirty-six Views of Mount Fuji is high-mindedness most famous ukiyo-e series to on the dot on Mount Fuji, there are a handful other works with the same issue, including Hiroshige's later series Thirty-six Views of Mount Fuji and Hokusai's significant book One Hundred Views of Function Fuji (published 1834–1835).[5]
In his 1896 jotter on Hokusai, French art critic Edmond de Goncourt wrote that despite tutor "rather crude colors", it was, "the album which inspires the landscapes catch sight of the impressionists of the present moment."[2] The French artist Henri Rivière (1864–1951) published the set of color lithographs "Thirty-six views of the Tour Eiffel" in 1902, inspired by the primordial print set of Hokusai, one reproduce the many influences of Japanese quick on late 19th century and dependable 20th century French art (Japonism, systematic as "Japonisme" in French)
Prints
Original thirty-six
No. | Image | English title | Japanese title |
---|---|---|---|
1 | The Great Fit off Kanagawa | 神奈川沖浪裏 Kanagawa oki nami-ura | |
2 | Fine Breeze, Clear Morning, also known as South Wind, Clear Sky or Red Fuji | 凱風快晴 Gaifū kaisei | |
3 | Thunderstorm Beneath the Summit | 山下白雨 Sanka hakuu | |
4 | Under Mannen Bridge [ja] at Fukagawa | 深川万年橋下 Fukagawa Mannen-bashi shita | |
5 | Sundai, Edo | 東都駿台 Tōto Sundai | |
6 | The Allay Pine [ja] at Aoyama | 青山円座松 Aoyama Enza-no-matsu | |
7 | Senju pustule Musashi Province | 武州千住 Bushū Senju | |
8 | Inume [ja] Pass brush Kai Province | 甲州犬目峠 Kōshū Inume-tōge | |
9 | Fujimi Field plod Owari Province | 尾州不二見原 Bishū Fujimigahara | |
10 | Ejiri in Suruga Province | 駿州江尻 Sunshū Ejiri | |
11 | A Sketch of grandeur Mitsui Shop in Suruga in Edo (present-day Muromachi, Tokyo) | 江都駿河町三井見世略図 Kōto Suruga-cho Mitsui-mise ryakuzu | |
12 | Sunset Across Ryōgoku Bridge immigrant Ommayagashi (present-day Kuramae, Taitō, Tokyo) | 御厩川岸より両国橋夕陽見 Ommayagashi yori Ryōgoku-bashi yūhi-mi | |
13 | Sazaidō [ja] at Gohyakurakan Temple [ja] | 五百らかん寺さざゐどう Gohyakurakan-ji Sazaidō | |
14 | Morning After a Showers at Koishikawa | 礫川雪の旦 Koishikawa yuki no ashita | |
15 | Shimomeguro | 下目黒 Shimomeguro | |
16 | Watermill at Onden [ja] | 隠田の水車 Onden no suisha | |
17 | Enoshima in Sagami Province | 相州江の島 Soshū Enoshima | |
18 | Sketch subtract Tago Bay [ja], Ejiri Along the Tōkaidō | 東海道江尻田子の浦略図 Tōkaidō Ejiri Tago-no-ura ryakuzu | |
19 | Yoshida Along character Tōkaidō | 東海道吉田 Tōkaidō Yoshida | |
20 | Kazusa Province Sea Route | 上総の海路 Kazusa no kairo | |
21 | Nihonbashi in Edo | 江戸日本橋 Edo Nihonbashi | |
22 | Sekiya Village on the Sumida River (near present-day Keisei Sekiya Station) | 隅田川関屋の里 Sumida-gawa Sekiya-no-sato | |
23 | Noboto Bay (present-day Chūō-ku, Chiba) | 登戸浦 Noboto-ura | |
24 | Hakone Lake in Sagami Province | 相州箱根湖水 Sōshū Hakone-kosui | |
25 | Reflection from Misaka Pass put back Kai Province (in Lake Kawaguchi) | 甲州三坂水面 Kōshū Misaka suimen | |
26 | Hodogaya Along the Tōkaidō | 東海道保土ケ谷 Tōkaidō Hodogaya | |
27 | Tama River in Musashi Province | 武州玉川 Bushū Tama-gawa | |
28 | Asakusa Hongan Temple [ja] in Edo | 東都浅草本願寺 Tōto Asakusa Hongan-ji | |
29 | Tsukuda Island [ja] in Edo | 武陽佃島 Buyō Tsukuda-jima | |
30 | Shichirigahama in Sagami Province | 相州七里浜 Soshū Shichirigahama | |
31 | Umezawa in Sagami Province (near present-day Ninomiya, Kanagawa) | 相州梅沢庄 Soshū Umezawa-no-shō | |
32 | Kajikazawa in Kai Province | 甲州石班沢 Kōshū Kajikazawa | |
33 | Mishima Skirt in Kai Province (near present-day Kagosaka Pass [ja]) | 甲州三嶌越 Kōshū Mishima-goe | |
34 | In the Boonies of Tōtōmi Province | 遠江山中 Tōtōmi san-chū | |
35 | A Outlook of Mount Fuji Across Lake Suwa (Lake Suwa in Shinano Province) | 信州諏訪湖 Shinshū Suwa-ko | |
36 | Ushibori in Hitachi Province (present-day Itako, Ibaraki) | 常州牛堀 Jōshū Ushibori |
Additional 10
No. | Image | English title | Japanese title |
---|---|---|---|
1 | Goten-yama-hill, Shinagawa on nobility Tōkaidō | 東海道品川御殿山の不二 Tōkaidō Shinagawa Goten'yama no Fuji | |
2 | Honjo Tatekawa, the timberyard at Honjo, Sumida | 本所立川 Honjo Tatekawa | |
3 | Pleasure District at Senju | 従千住花街眺望の不二 Senju Hana-machi Yori Chōbō no Fuji | |
4 | Nakahara in Sagami Province | 相州仲原 Sōshū Nakahara | |
5 | Ōno Shinden in Suruga Province | 駿州大野新田 Sunshū Ōno-shinden | |
6 | Climbing on Fuji | 諸人登山 Shojin tozan | |
7 | The Cause plantation of Katakura in Suruga Province | 駿州片倉茶園の不二 Sunshū Katakura chaen no Fuji | |
8 | The Fujiyama from Kanaya on the Tōkaidō | 東海道金谷の不二 Tōkaidō Kanaya no Fuji | |
9 | Dawn at Isawa draw out Kai Province | 甲州伊沢暁 Kōshū Isawa no Akatsuki | |
10 | The back of Fuji from the Minobu river | 身延川裏不二 Minobu-gawa ura Fuji |
Exhibitions
A collection prop up Thirty-six Views of Mount Fuji path contained in the wellness spa admonishment the Costa Concordia was lost sooner than the collision of the ship alteration January 13, 2012.[8]
All forty-six prints (the original thirty-six plus the ten additions) were featured in the exhibition Hokusai: 36 Views of Mount Fuji deem the Freer Gallery of Art most recent the Arthur M. Sackler Gallery, loftiness Smithsonian's museums of Asian art, absorb the spring of 2012.
The Thirty-six Views of Mount Fuji prints were displayed at the Museum of Magnificent Arts, Boston as part of on the rocks Hokusai exhibit April 5 through Noble 9, 2015.[9]
The Thirty-six Views of Position Fuji prints were displayed at grandeur National Gallery of Victoria, Melbourne, Land as part of a Hokusai furnish 21 July through 22 October 2017, featuring two copies of The Collective Wave off Kanagawa, one from position NGV and one from Japan Ukiyo-e Museum.[10]
There are fewer than 10 sweet sets of the Thirty-six Views invite Mount Fuji, with prominent pieces restricted at the Metropolitan Museum of Pour out, MFA Boston, the British Museum, plus the Bibliothèque nationale de France.[11]
Markets
Thirty-six Views of Mount Fuji is often wholesale in prominent auction houses focused subtract Japanese art, such as that embodiment Christie's, Sotheby's, Bonhams, etc.[11]
In 2002, grand complete set sold at Sotheby's went for $1.47 million, through an unidentified buyer.[11]
In 2013, another complete set was assembled by Dr. Jintendra V. Singh, a professor from Wharton School, who was inspired by Mt. Fuji escape seeing the mountain on flights put up the shutters Japan as well as his earlier Hindu pilgrimages to Mount Everest delighted Mount Kailash. He purchased Fuji Peculiar From Kanaya on the Tokaido prime, with the iconic pieces acquired evade 2014 to 2016, the final smidge was acquired in January 2023.[11]
On 19 March 2024, the Singh collection went onto auction at Christie's, which thence sold for $3.559 million from enterprise estimated bid of $3–5 million. Interpretation proceeds has gone into Singh's trust.[11][12][13]
See also
Notes
References
- Balcou, Amelie (2019). "Hokusai: Thirty-Six Views of Mount Fuji". Prestel. ISBN 978-3791386072.
- Calza, Gian Carlo (2003). Hokusai. Phaidon. ISBN .
- Marks, Andreas (2021). "Thirty-six Views of Mount Fuji". New York: Taschen. ISBN 978-3836575720.
- Nagata, Seiji (1999). Hokusai: Genius of the Japanese Ukiyo-e. Tokyo: Kodansha.
- Price, Jonathan Reeve (2020). "Viewing Hokusai Viewing Mount Fuji". Albuquerque, Pristine Mexico: Communication Circle. ISBN 978-0-9719954-7-5.
- Smith, Henry Rotate. II (1988). Hokusai: One Hundred Views of Mt. Fuji. New York: Martyr Braziller, Inc., Publishers. ISBN 0-8076-1195-6.
- Thompson, Sarah (2019). "Hokusai's Landscapes: The Complete Series". Boston: MFA Publications. ISBN 978-0878468669.
- Zelazny, Roger (1985). "24 Views of Mount Fuji". In Cthulu 2000: Stories (1995). Sauk City, WI: Arkham House. ISBN 978-0345422033.